Ancient Iranian Artifacts on the Red Carpet: The Controversy Surrounding Zendaya’s 3,000-Year-Old Gold Earrings

When Zendaya stepped onto the red carpet in London for the premiere of Christopher Nolan’s cinematic adaptation, The Odyssey, spectators were captivated by an extraordinary piece of history hanging from her ears. She was wearing gold earrings centered around ancient Iranian gold discs believed to date back to approximately 700 BC. These remarkable artifacts belong to the famous Ziwiye hoard, a historic collection discovered in northwestern Iran during the 1940s.

The ancient discs were mounted in gold and diamonds by jeweler Glenn Spiro before being acquired by Barron London. According to the gallery, the artifacts were secured using a non-invasive claw setting, ensuring they were not drilled, cut, or permanently altered in any way. Barron explained that loaning the earrings was intended to honor the incredible craftsmanship of ancient Persian goldsmiths and to bring global appreciation to Iran’s rich cultural heritage.

However, the gesture sparked an immediate wave of debate among historians and archaeologists. Critics voiced strong concern over using irreplaceable historical artifacts as modern fashion accessories for a Hollywood film promotion. They argued that priceless objects connected to ancient civilizations belong in secure museum displays or should be returned to their country of origin rather than being worn on a red carpet. The controversy is further complicated by the history of the Ziwiye hoard itself, which was reportedly looted shortly after its discovery, leading to many pieces being scattered across private collections worldwide.

Conversely, defenders of the jewelry choice maintained that private collectors play a vital role in preserving historical items. They argued that wearing these pieces brings ancient history into the public eye, sparking global conversation and awareness that might not otherwise occur. While Zendaya wore the gold discs for only a single evening, the act illuminated nearly three millennia of art, heritage, and complex questions regarding who truly owns the past.